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Sunday, April 7, 2024
Trailer #9 By Melissa A. Chappell
Trailer #9 The trailer park down the highwayis a boy with a sallow face and hollow eyes,with stubbornness still clinging to thatseventies retro look,the weeds growing into, or out of black holes,once windows.Pink and green metal siding,having long ac…
The trailer park down the highway is a boy with a sallow face and hollow eyes, with stubbornness still clinging to that seventies retro look, the weeds growing into, or out of black holes, once windows. Pink and green metal siding, having long accepted the sun's abuse, and forgottenness. No one sees them anymore. Except me, who remembers Larry, in the too-small clothes, from Trailer #9, who sat next to me on the yellow bus, the hot, sticky vinyl seats– brown like the seat in the principal's office, comparing lunch boxes, sharing leftovers. Getting off the big yellow bus that crawled and spit us out one by one, I watched him meet his sulking mother, rumpled, hand on hip, cigarette, dangling from one corner of her mouth, smoke curling, having just departed her bed, heavy with sweat, remnant vocalizations, and Old Spice.
Come summer, I saw Larry no more. Time slowly deconstructed Trailer #9. My memories of him were charred beneath the sun's cruel hand, until I passed by the pink and white shattered trailer just today, black eye holes staring at me. He is still there, that sallow-faced boy, hundreds of them, with clothes-too-small, ill-fitting dreams, hollow eyes staring off into a thousand vinyl visions, unseated by power deciding from leather upholstered chairs. It's all there, in the smashed metallic pink siding of Trailer #9, whose stare is unflinching, and whose gashes unhealing. Yet all who pass by here, see nothing.
By Melissa A. Chappell
Biography:
Melissa A. Chappell is a poet living in rural South Carolina where she enjoys a rural lifestyle. She gains much inspiration from the forests, birds, and wildflowers. He plays guitar, sings, and is adept at the piano as well. She hopes to travel to Spain one spring.
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